Kringlans Kalender 2020. Sacred. Part 12. Dec 12th

“Onyx. Onyx is missing. Or not really missing. It is there, the volume just needs to be turned up a bit. Then a bit more. Then maybe a bit more again. Like toning down the rose quartz for now, just making space for some more onyx you know.” Barry’s words – or instructions – travelled in through the wide open front door.

Marcus had been sitting at the grand piano since 5 am. Playing one piece of the symphony over and over again. Something was missing since the second movement, he just could not put his spirit on it.

“Onyx?” Marcus asked.

Barry was really too large to be in the house. He had placed himself outdoors, in front of the porch – had he been on the porch it surely would break from his weight – , having Marcus leaving the door open so that they could have a “clear, straight channel” as they both called it. It was vital that the connection was a straight, wide line. 

Like a bridge. 

Again.

“Yes, Onyx. The colour of darkness. Of pitch black. Of all possibilities possible”, Barry replied.

“Or the colour of death…”, Marcus thought to himself.

“I heard that!”, Barry said. “Isn’t death also a moment, an opening, of all possibilities? You know, some of my friends, the cormorants, say that “humans are so afraid of death that it prevents them from living”. Turn that volume up eh, so that you can really listen to it!”

“Listen to what?”, Marcus noticed a slight irritation in his own voice. “Listen to death? To darkness?”

“A little bit more to the left my dear Marcus. Listen to the emotion attached to those words .”

“Give in to fear?”, Marcus felt perplexed.

“It is not a fight Marcus. It is not about winning, about staying on top of or about giving in or not . There is no right or wrong here. There is only listening. And then turn up the volume of the Onyx, of the listening. Make that listening sacred.”

“Sacred Listening”, Marcus let the words roll over his tongue and soar in his consciousness. “Sacred Listening, Sacred Home….Onyx….Hmmmm…”

Quiet.

He took a deep breath. Looked out through the window. Got up. Walked through the front door. Sat down on the stairs leading off the porch, right in front of Barry.

“Barry, do you know there is a song with the title “What’s Love Got To Do With It”? Maybe it’s time to use the phrase “What’s Fear Got To Do With It?”

“Now you’re getting somewhere Marcus! What’s fear got to do with it! Reply to that one more often! Spin that one in to the symphony. That’s how you get deeper inside life, how we will eventually get Home.”

Onyx.

OK, then.

  • Cecilia Götherström, Dec 12th 2020.

Return

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In a bag a few minutes ago I found this piece below which I wrote on Jan 10th 2014.
Reading it now, it gives me goosebumps – as giving the turmoil, development, moves and all that has happened the past 2,5 or even 3 years , it is more than symbolic that I wrote this early 2014 and am finding it today – July 12th.

Return

The return is imminent,
faith awaits

Her huge white wings
sweeping me in,
closing out the darkness for now

As the wings open
the dark, velvety night sky is adorned
with galaxies,
light-holes
and wishes turned in whisper

I stand there,
basking in her glow,
listening
to the whispers from now,
the whispers from before,
the whispers that were,
that are,
that will come.

In this place all is one.
There is no then,
no now,
no later.

Is the return really a return?
Or is it an opening of what was always there?

She asks me to open my eyes,
my ears, my heart,
with softness,
with a waiting,
whatever comes in.

A feather falls from the sky
into my hand,
I can feel its softness
caressing my cold palm,
almost making me giggle from the tickling feeling.

I watch the feather
as it turns and turns in my palm,
first slow,
then faster,
and faster.
The spiralling movements
makes it stir up
and away.

The feather has turned in to a huge raven,
first white,

when he takes flight I can see him
shifting in to grey,
then in to black,
his glistening eyes disappearing
with the flapping of his wings
directions Ursa Major.

The wind coming from the pine tress in the back,
bring another whisper,
a song,
an anthem.

There is a vibration from the ground,
I turn around.

The whole forest alive,
waving,
swaying,
gently sining a tune
of return,
of now,
of all never being anything other
than what is now.

A brown bear beckons me to come closer.
She has two cubs at her side.
It feels like I know them,
like I have seen them before,
like we are family.

I look up at the sky,
towards Ursa Major,
where Raven headed,
then look back at Mother Bear.

I return.

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Cecilia Götherström, 10/ 1 2014